Illustrating “It Doesn’t Have to Be Crazy at Work”
Take a look behind the scenes at the illustration process for Jason Fried and DHH’s new book, “It Doesn’t Have to Be Crazy at Work”. Back story Every essay in Jason and David’s previous titles, REW…
Camille Fournier on Twitter: "This reminds me that I have a half-written blog post about being mid-career in tech that has no conclusion because, well, as you can see, it's unclear to me how to best use this time"
“This reminds me that I have a half-written blog post about being mid-career in tech that has no conclusion because, well, as you can see, it's unclear to me how to best use this time”
Andy Baio on Twitter: "I’m expecting a few days where I have to keep my eyes closed. I’d love your suggestions for audio escapism — podcasts, audiobooks, games, and other non-visual projects that don’t require intense concentration and are easy to
“I’m expecting a few days where I have to keep my eyes closed. I’d love your suggestions for audio escapism — podcasts, audiobooks, games, and other non-visual projects that don’t require intense concentration and are easy to lose yourself in.”
“I have always felt like this blog is my refrigerator. I make something, or I clip out something I like, and I put it on the refrigerator. The next day, I go and find something else to put on the fridge.”
“But there’s a deeper reason, I’ve come to think, that so many people don’t have hobbies: We’re afraid of being bad at them. Or rather, we are intimidated by the expectation — itself a hallmark of our intensely public, performative age — that we must actually be skilled at what we do in our free time. Our ‘hobbies,’ if that’s even the word for them anymore, have become too serious, too demanding, too much an occasion to become anxious about whether you are really the person you claim to be.”
All my English teachers talked about the importance of finding “your voice.” It always confused me because I knew we all had so many voices, so many audiences, and my teachers seemed only to really want the kind of voice that sat with its legs crossed, reading the New York Times. I didn’t have to work to find that cross-legged voice—it was the one education necessitated I lead with. What my English teachers didn’t say was that literary voices aren’t discovered fully formed. They aren’t natural or organic. Literary voices are built and shaped—and not just by words, punctuation, and sentences, but by the author’s intended audience and a composition’s form.
My friend Lara Hogan published an email I had sent to her way back (“Advice for a new executive”) and it turned out to be super-helpful to a lot of people based on the engagement with h…
I’ve written about the class I’d like to teach, but what I’ve been thinking about lately is the class I’d like to attend. Not necessarily now, but when I was growing up. In the 6th grade, let’s say…
Last night, Twitter gave its users the option to switch back to a purely chronological timeline. Meanwhile, today we updated the "Show the best Tweets first" setting. When off, you'll only see Tweets from peop
“24/7 reachability also hurts good docs practices. When people couldn’t get ahold of each other at all hours orgs had to design for redundancy, i.e. write things down such that they could be understood by someone else. But there’s a whole generation of workers and even companies that never experienced that.”
“That is why I mark April 9, 2012, as the day yesterday became inevitable. Letting Facebook build the business may have made Systrom and Krieger rich and freed them to focus on product, but it made Zuckerberg the true CEO, and always, inevitably, CEOs call the shots.”
Everyone likes to talk about leadership—we are culturally conditioned to view success as a progression through leadership positions—but there is far less
“But, for writers, maybe it’s not just returning to the things we love… maybe it’s embedding the things we love in new things that we write that keeps those fish alive.”